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Spare and scratchy, this album is rougher and less even than the later efforts of Miss Marshall. Absolutely amazing is 'Rockets' - still one of her best in it's sweetness and sing-along-ability. 'Headlights' is tragic and pained, and more driving (sorry about the pun) than most Cat Power songs. This is a wonderful rainy day album probably better suited to people who are already fans of her music, but absolutely necessary in a CP fan's library. Also: she's backed by Tim Foljahn and Steve Shelley, who add a whole different set of sonic youth-ey influences.1.
Yesterday Is Here5. The Sleepwalker6. This is the third release from Seattle's Minus The Bear, who construct their sound from guitar tapped melodies, textural electronics, an airtight rhythm section, and vivid melodic narratives.
'They Make Beer Commercials Like This' shows the evolution of the band's craft and finally captures the spark of their live show.-Although Minus the Bear's uniformly goofy song titles and album names make the Seattle quartet seem at first like the spiritual descendents of local scene godfathers the Young Fresh Fellows - besides the sarcastic album title, the best titles this time out have to be 'Hey, Is That a Ninja Up There?' And 'I'm Totally Not Down With Rob's Alien' - the funniest thing about them is how straightforward and (relatively) serious their music is.
Boasting a slightly rougher sound than the Steve Fisk-produced Highly Refined Pirates, They Make Beer Commercials Like This is nevertheless at least as complex as their previous releases, but with more of an emphasis this time on constantly shifting, tricky rhythms and a more prominent and melodic presence for bassist Cory Murchy to counterpoint David Knudson's typically fluid guitar showcases. This is especially notable on the opening 'Fine + 2 Points,' which has even more of the chilly but danceable sound of early-'80s post-punk outfits like A Certain Ratio and Crispy Ambulance than the far more celebrated Franz Ferdinand do.1. Fine + 2 Pts.2.
Let's Play Clowns3. I'm Totally Not Down With Rob's Alien5.
Is That A Ninja Up There?6. The Album Sees Some of Maas's Strongest Work Yet and features Vocals from None Other Than Placebo's Brian Molko as Well as Neneh Cherry and One of America's Hottest Artists Kelis! Timo Maas is a Legend in the Remix World, Known for his Work on Classic Crossover Hits Such as 'dooms Night' and 'mama Konda' as Well as Being in Demand for Mainstream Work for the Likes of Madonna, Fatboy Slim, Tori Amos, Kelis and More Recently Depeche Mode's 'enjoy the Silence' and Placebo's 'twenty Years'.1. Slip In Electro Kid2. Enter My World6. Devil Feel10. Like Siamese12.
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Haven't We Met Before. Spare and scratchy, this album is rougher and less even than the later efforts of Miss Marshall. Absolutely amazing is 'Rockets' - still one of her best in it's sweetness and sing-along-ability. 'Headlights' is tragic and pained, and more driving (sorry about the pun) than most Cat Power songs. This is a wonderful rainy day album probably better suited to people who are already fans of her music, but absolutely necessary in a CP fan's library. Also: she's backed by Tim Foljahn and Steve Shelley, who add a whole different set of sonic youth-ey influences.1. Yesterday Is Here5.
The Sleepwalker6. Spare and scratchy, this album is rougher and less even than the later efforts of Miss Marshall. Absolutely amazing is 'Rockets' - still one of her best in it's sweetness and sing-along-ability. 'Headlights' is tragic and pained, and more driving (sorry about the pun) than most Cat Power songs. This is a wonderful rainy day album probably better suited to people who are already fans of her music, but absolutely necessary in a CP fan's library. Also: she's backed by Tim Foljahn and Steve Shelley, who add a whole different set of sonic youth-ey influences.1.
Yesterday Is Here5. The Sleepwalker6.
HeadlightsPASSWORDnisam siguran,probaj ryaako radi javi da ne trazim dalje. Spare and scratchy, this album is rougher and less even than the later efforts of Miss Marshall. Absolutely amazing is 'Rockets' - still one of her best in it's sweetness and sing-along-ability. 'Headlights' is tragic and pained, and more driving (sorry about the pun) than most Cat Power songs. This is a wonderful rainy day album probably better suited to people who are already fans of her music, but absolutely necessary in a CP fan's library. Also: she's backed by Tim Foljahn and Steve Shelley, who add a whole different set of sonic youth-ey influences.1.
Yesterday Is Here5. The Sleepwalker6. HeadlightsPASSWORDnisam siguran,probaj ryaako radi javi da ne trazim daljenegativno. Taj Mahal's been chasing the blues around the world for years, but rarely with the passion, energy, and clarity he brought to his first three albums. Taj Mahal, The Natch'l Blues and The Real Thing are the sound of the artist, who was born in 1942, defining himself and his music.
On his self-titled 1967 debut, he not only honors the sound of the Delta masters with his driving National steel guitar and hard vocal shout, but ladles in elements of rock and country with the help of guitarists Ry Cooder and the late Jessie Ed Davis. This approach is reinforced and broadened by The Natch'l Blues. What's most striking is Mahal's way of making even the oldest themes sound as if they're part of a new era. Not just through the vigor of his playing-relentlessly propulsive, yet stripped down compared with the six-string ornamentations of the original masters of country blues-but through his singing, which possesses a knowing insouciance distinct to post-Woodstock counterculture hipsters. It's the voice of an informed young man who knows he's offering something deep to an equally hip and receptive audience.Soon, Mahal turned his multicultural vision of the blues even further outward. The live 1971 set, The Real Thing, finds him still carrying the Mississippi torch, while adding overt elements of jazz and Afro-Caribbean music to its flame. But it's overreaching.
His band sounds under-rehearsed, and the arrangements seem more like rough outlines. Nonetheless, these albums set the stage for Mahal's career. (For a condensed version, try the fine The Best of Taj Mahal.) Today, he continues to make fine fusion albums, like 1999's Kulanjan, with Malian kora master Toumani Diabate, and less exciting but still eclectic recordings with his Phantom Blues Band.1. Good Morning Miss Brown2.
I Ain't Gonna Let Nobody Steal My Jellyroll4. Going Up To The Country, Paint My Mailbox Blue5. Done Changed My Way Of Living6.
She Caught The Katy And Left Me A Mule To Ride7. You Don't Miss Your Water ('Til Your Well Runs Dry)9. Ain't That A Lot Of Love10. The Cuckoo (Alternate Version)11. New Stranger Blues12.
Things Are Gonna Work Out Fine. The follow up to the critically-acclaimed 'Faces Down', Sondre Lerche's second album is a tour-de-force of soaring pop melodies and rich technicolor arrangements. The 21-year old Bergen, Norway native recalls artists like Jeff Buckley, Elvis Costello, Beck, Brian Wilson, Rufus Wainwright, Burt Bacharach and Cole Porter. From the fragile acoustics of ‘It’s Too Late’ to the symphonic variations of the title track, from the no depression lilt of ‘Stupid Memory’ to the uplifting pop of ‘On The Tower’, this is an album of breath-taking diversity and imagination.
Track You Down3. On The Tower4. Two Way Monologue5. Days That Are Over6.
Counter Spark8. Stupid Memory10. It's Too Late11. It's Our Job12. Maybe You're Gone. Less experimentally brash than his more recent release, Tricky's debut CD Maxinquaye is actually a better introduction to the British hip-hopper turned international trip-hopper than his later work. The dozen smoldering, moonlit tracks are less concerned with loopy aural exaggeration than they are with showcasing Tricky's slow-mo rap and singer Martine's sexy soprano.
With the exception of the stellar 'Pumpkin,' (featuring vox from Alison Goldfrapp), the duo mix a colorful palate of rhythmic vocals, throbbing backbeats and gravelly electronic textures. Toss in large doses of sexual innuendo and Maxinquaye becomes a libidinous foray into languor and lust.1. Black Steel4. Hell Is Around the Corner5. Abbaon Fat Track8.
Brand New You're Retro9. Suffocated Love10.
It is very difficult (if not totally pointless) to choose a 'favorite' Van Morrison cd. The sheer volume of recorded work precludes such a choice. Also, works of art (and much of Morrison's recorded work is art) often defy such catagorization. That being said, I find myself returning again and again to this disc.
The instrumental arrangements for the most part are spare yet the vocals very lush creating a sort of low-key ecstasy (if such a thing can be imagined) quite unlike almost any other of Morrison's recordings. The pairing of Van's voice with the synthesizers and trumpet of Mark Isham is inspired. These versions of 'She Gives Me Religion' and 'Vanlose Stairway' are absolutely inspired providing a thrilling emotional resonance rare even for Van. I never tire of this disc and recomend it highly.1.
Introduction: Into the Mystic/Inarticulate Speech of T Instrumental2. Dweller on the Threshold Listen3. It's All in the Game/You Know What They're Writing About Listen4.
She Gives Me Religion Listen5. Haunts of Ancient Peace Listen6. Full Force Gale Listen7. Beautiful Vision8. Vanlose Stairway9. Rave on John Donne/Rave on, Pt. Northern Muse (Solid Ground)11.
Cleaning Windows. Traditional Irish balladry mixed with a drive-it-like-it's-stolen attitude toward music and performance is only half of The Pogues' story; the other half is the slurred, frothing charisma of Shane MacGowan. His drunken excess is both the reason the band inevitably collapsed and the conviction behind their vitality. Rum, Sodomy, and the Lash, their second album, captured The Pogues at their most emotionally raw.
MacGowan switches from tearful lament to bitter growl with almost unparalleled ease- his heart is on his sleeve here, and it's beautiful to behold. It's here, during the Celtic legends ('The Sick Bed of Cuchulain') and wrought, personal reminiscences ('The Old Main Drag') that The Pogues are at their unfurnished best. Code: zamjeni sa.mp3.THE BAND - 'The Band' - 1969 - Remastered 2000 w. Bonus trackskultni sastva iz tamo nekih.01. Across the Great Divide.02. Rag Mama Rag03. The Night They Drove Old Dixie Down04.
When You Awake05. Up on Cripple Creek06. Whispering Pines07. Jemima Surrender08.
Rockin' Chair09. Look Out Cleveland10. The Unfaithful Servant12.
King Harvest Has Surely Come13. Get Up Jake (outtake - stereo mix)14. Rag Mama Rag (alternate vocal take - rough mix)15.
The Night They Drove Old Dixie Down (alternate mix)16. Up on Cripple Creek (alternate take)17.
Whispering Pines (alternate take)18. Jemima Surrender (alternate take)19. King Harvest Has Surely Come (alternate performance).
Code: 1-11 (45mb)(37mb)- Greatest Hits Back To The Start 200501. Holy Wars.The Punishment Due02. In My Darkest Hour03. Peace Sells04.
Sweating Bullets05. Angry Again06. A Tout Le Monde07. Kill the King09. Symphony of Destruction10.
Mechanix (2002 Remix)11. Train of Consequences12. Wake Up Dead13. Dread and the Fugitive Mind15. Skin O' My Teeth16.
Prince of Darkness(Total running time: 78:15). Code: iz sedamdesetih godina.